Artist: Razorlight
Album: Planet Nowhere
Release date: October 25, 2024
With Planet Nowhere, Razorlight delivers an album that dives into modern concerns with wit, bite, and plenty of rock-driven energy. Each track seems crafted to reflect both personal and societal anxieties, underscoring the band’s knack for tapping into the zeitgeist while staying true to their gritty, catchy style.
The album opens with “Zombie Love,” a frenetic song that balances Razorlight’s signature sound with new layers of edginess. It’s a powerful entry point, with Johnny Borrell’s vocals setting a tone of playful yet biting commentary. “U Can Call Me” follows, and its infectious chorus ensures it’ll be a fan favorite, seamlessly blending themes of identity and connection.
“Taylor Swift = US Soft Propaganda” is one of the album’s standout tracks—not only for its provocative title but for its ironic commentary on celebrity influence and culture. Razorlight tackles the subject with humor and a bit of a snarl, giving a satirical edge that cuts through. From there, “Dirty Luck” and “Scared Of Nothing” bring us back to more intimate themes, offering listeners a glimpse into vulnerability amid the chaos.
“F.O.B.F.” and “Empire Service” both hold the energy of Razorlight’s early anthems but feel newly invigorated. “Cyclops” has a more experimental feel, with eerie undertones and atmospheric touches that make it one of the album’s most interesting tracks. “Cool People” brings in social critique, pairing catchy riffs with biting lyrics about superficiality and pretense.
The album closes with “April Ends,” a reflective, slightly somber track that provides a perfect bookend to the album. Its introspective tone leaves listeners with the sense that Planet Nowhere isn’t just a critique but also a personal journey of self-reflection and growth.
With Planet Nowhere, Razorlight manages to balance cynicism and hope, blending humor and introspection while keeping their sound lively and infectious. It’s a return that feels relevant and timely, both for Razorlight and their listeners.
Score: 4 / 5
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